Pencil and acrylic on cardboard 27 x 75 cm 2010. “Discovery, surprise and, of course, irony are aspects that I would like to see hovering around this series of works.”
Pencil and acrylic on cardboard 35 x 92,5cm 2010. “Even those forms that appear to be more abstract and incomprehensible stem from a brain that is full of real references and memories, natural or artificial textures and shapes, of which even the artificial ones are inspired by their natural counterparts.”
Pencil and acrylic on cardboard 127 x 39 cm 2009. “The concept of Zoom breaks down the physical laws that govern our logic as observers and place us before a growing world, with the same consequences that we would see as Shrinking Men walking through a reality made up of objects whose unsuitable size renders...
Pencil and acrylic on cardboard 46 x 61 cm 2009. “Under the name of Zoom, a set of drawings take shape that aim to explore the extensive world of objects that interest me for different reasons, be they aesthetic (or anti-aesthetic), plastic, functional or even emotional.”
Pencil and acrylic on cardboard 61 x 76 cm 2009. “For me, the real and unreal, the concrete and the abstract are confused dualities. An abstraction, although abstract, is a real object and a realist painting is, seen from the appropriate distance, a beautiful mixture of material, brush-strokes and texture that makes it something akin...
White pencil and acrylic on wood 149 x 112 cm 2009. “Even so, faced with the artistic-creative phenomenon, I perceive the way in which mental gears work as a major abstract collage of decomposition, not just of colours, but of elements that shape perception. Thus, the realist artist (an expressive that, despite being a misnomer,...
Pencil and acrylic on wood 149 x 112 cm 2009. “The concept of Zoom gives the object new dimensions, strengthening its presence and inviting us to explore it, discovering hidden spaces and unnoticed nooks.”
Polychromed polystyrene, cardboard and plastic 180 x 117 x 45 cm 2009. “As children, we view the world on a much larger scale than other people. In order to satisfy that feeling of relationship with the external world, many brands of toys try to create a world on a child’s scale. They manufacture cars, kitchens,...
Polychromed polystyrene 120,5 x 76,5 x 27 cm 2009. “Reality does not exist. And if what exists is the perception that we have of it, why not explore the underlying principles of that perception?”
Polychromed polystyrene 8,5 x 96 x 6,5 cm 2009. “Macro acts as a kind of traditional magnifying glass that draws us closer to the object worthy of observation even when we keep an appropriate distance in order to view it.”
Polychromed polystyrene 24 x 30 x 123 cm 2009. “¿How would I like my work to be viewed? I would like it to have the capacity to surprise, to stimulate, in some way, the intelligence and emotions of the viewer. I would like the viewer to see it as an honest, committed attempt to discover a...
White pencil and acrylic on wood 30,5 x 36 cm 2008. “Blackboards lights up the spotlight on a dark stage, while the black pencil techniques light up the darkness in a completely illuminated stage.”
